UGA Libraries News & Events

New fiction at the Libraries, Sept 3

What Is Left the Daughter by Howard Norman
PR9199.3.N564 W47 2010

Howard Norman, widely regarded as one of this country’s finest novelists, returns to the mesmerizing fictional terrain of his major books— The Bird Artist, The Museum Guard, and The Haunting of L—in this erotically charged and morally complex story.

Seventeen-year-old Wyatt Hillyer is suddenly orphaned when his parents, within hours of each other, jump off two different bridges—the result of their separate involvements with the same compelling neighbor, a Halifax switchboard operator and aspiring actress. The suicides cause Wyatt to move to small-town Middle Economy to live with his uncle, aunt, and ravishing cousin Tilda.

Setting in motion the novel’s chain of life-altering passions and the wartime perfidy at its core is the arrival of the German student Hans Mohring, carrying only a satchel. Actual historical incidents—including a German U-boat’s sinking of the Nova Scotia–Newfoundland ferry Caribou, on which Aunt Constance Hillyer might or might not be traveling—lend intense narrative power to Norman’s uncannily layered story.

Wyatt’s account of the astonishing—not least to him— events leading up to his fathering of a beloved daughter spills out twenty-one years later. It’s a confession that speaks profoundly of the mysteries of human character in wartime and is directed, with both despair and hope, to an audience of one.

An utterly stirring novel. This is Howard Norman at his celebrated best.

A Good Land by Nada Awar Jarrar
PR9570.L43 J374 2009

The old neighbourhood block in Beirut was home to an ever- changing population as the fighting intensified and lessened. But three people were almost always there. The older Polish woman, Margo, refugee from her past, her country and family after another war, spinning her tales of freedom fighters, itinerant peoples, despair and courage. And Lebanese born and bred Layla, only recently returned from Australia after fleeing the earlier civil war to teach her students again. Palestinian Kamal; refugee, writer and lecturer, whose cherished faith in a free, tolerant, democratic Lebanon has been shattered by difficulties of living there now. Among their friends are older politicians, university friends often visiting from lucrative posts in Europe or the USA, and local political activists. The retaliation raids by Israel and the political aftermath further shatter their community: some flee to the mountains, many leave the country. Some like Layla try to identify more deeply what it is that holds her to this place, why she cannot leave. Nada Awar Jarrar has written a powerful and moving novel, full of character and insight, of joy and tears, which makes us understand how people can stand such daily fear of violence and can continue to have faith in the country of their heart.

Everything: A Novel by Kevin Canty
PS3553.A56 E94 2010

In taut, exquisite prose, Kevin Canty explores the largest themes of life—work, love, death, destruction, rebirth—in the middle of the everyday. On the fifth of July, RL and June go down to the river with a bottle of Johnnie Walker Red to commemorate Taylor’s fiftieth and last birthday. Taylor was RL’s boyhood friend and June’s husband, but after eleven years, June, a childless hospice worker, finally declares she’s “nobody’s widow anymore.” Anxious for a new beginning, June considers selling her beloved house. RL, a divorced  empty-nester, faces a major change, too, when he agrees to lodge his college girlfriend, Betsy, while she undergoes chemotherapy. Caught between Betsy’s anguish and June’s hope, the cynical RL is brought face-to-face with his own sense of futility, and the longing to experience the kind of love that “knocks you down.” Set in Montana, reflecting the beauty of its landscape and the independence of its people, Everything is a shimmering novel about unexpected redemption by a writer of deep empathy and prodigious talents.

Noir by Robert Coover
PS3553.O633 N65 2010

With impeccable skill, Robert Coover, one of America’s pioneering postmodernists, has turned the classic detective story inside-out. Here Coover is at the top of his form; and Noir is a true page-turner–wry, absurd, and desolate.

You are Philip M. Noir, Private Investigator. A mysterious young widow hires you to find her husband’s killer–if he was killed. Then your client is killed and her body disappears–if she was your client. Your search for clues takes you through all levels of the city, from classy lounges to lowlife dives, from jazz bars to a rich sex kitten’s bedroom, from yachts to the morgue. “The Case of the Vanishing Black Widow” unfolds over five days aboveground and three or four in smugglers’ tunnels, though flashback and anecdote, and expands time into something much larger. You don’t always get the joke, though most people think what’s happening is pretty funny.

The Same River Twice by Ted Mooney
PS3563.O567 S36 2010

When Odile Mével, a French clothing designer, agrees to smuggle ceremonial May Day banners out of the former Soviet Union, she thinks she’s trading a few days’ inconvenience for a quick thirty thousand francs. Yet when she returns home to Paris to deliver the contraband to Turner, the American art expert behind this scheme, her fellow courier (previously a stranger) has disappeared, her apartment is ransacked for no discernible reason, and she has already set in motion a chain of events that will put those closest to her in jeopardy.

Odile’s American husband, Max, has no inkling of her clandestine moonlighting. An independent filmmaker whose recent taste of commercial success has left him at a crossroads in his career, he by chance makes a surreal discovery: unauthorized copies of his first film, with a technically expert, and completely different, ending. Baffled as to who would have either the motive or the means to commit such intellectual piracy, he investigates this fraud and soon runs up against the Russian mafia and, possibly, a human-trafficking operation. At the same time, he is becoming ever more preoccupied by his next artistic project: filming the actual lives of people intimate to him and Odile, a Dutchman and his American girlfriend who are meticulously restoring their century-old houseboat on the Seine—an endeavor that has fervent meaning for both Max and his subjects. And as if this weren’t excitement enough, he begins to suspect that Odile is having an affair.

Marital deceptions deepen and multiply even as the details of Odile’s and Max’s escapades appear ever more connected. The couple must now confront exactly what they are willing to do for the sake of their marriage and, indeed, their lives. Meanwhile, Turner, too, has a great many irons in the fire, which suddenly threatens to burn out of control.

Hugely atmospheric, perceptively written, and grippingly suspenseful, The Same River Twice is a page-turner that also poses questions of existential importance. What is the nature of inevitability? What agency do we have over our destinies? And is a different ending ever possible?

The Age of Orphans: A Novel by Laleh Khadivi
PS3611.H315 A73 2009

The story of a Kurdish boy forced to betray his people in service of the new Iranian nation, and the tragic consequences as he grows into manhood.

Before following his father into battle, he had been like any other Kurdish boy: in love with his Maman, fascinated by birds and the rugged Zagros Mountains, dutiful to his stern and powerful Baba. But after he is orphaned in a massacre by the armies of Iran’s new shah, he is taken in by the very army that has killed his parents, renamed Reza Khourdi, and indoctrinated into the modern, seductive ways of the newly minted nation, careful to hide his Kurdish origins with every step.

The Age of Orphans follows Reza through his meteoric rise in rank, his marriage to a proud Tehrani woman, and his eventual deployment, as a colonel, back to the Zagros Mountains and the ever-defiant Kurds. Here Reza is responsible for policing, and sometimes killing, his own people, and his carefully crafted persona begins to crack.

Told with an evocative richness of language that recalls Michael Ondaatje or Anita Desai, the story of Reza Khourdi is that of the twentieth-century everyman, cast out from the clan in the name of nation, progress, and modernity, who cannot help but yearn for the impossible dreams of love, land, and home.

Cold Snap: Bulgaria Stories by Cynthia Morrison Phoel
PS3616.H59 C65 2010

As in Sherwood Anderson’s Winesburg, Ohio, place is at the center of Cynthia Morrison Phoel’s debut collection of linked stories. Quirky, remote, and agonizingly intimate, the ragged village of Old Mountain is home to a cast of Bulgarian townsfolk who do daily battle with the heat or the bitter cold, with soul-crushing poverty, with petty disagreements among themselves—all the while attempting to adapt to changing times and keep up with their neighbors. Money is tight in this valley of run-down Communist blocks and crumbling plaster houses, but community is tighter.

When a largely unemployed father in “A Good Boy” trades his much-needed summer earnings for a hulking satellite dish, everyone knows about it. The same way everyone knows about the shop lady who rests her finger on the scale to drive up the price of cheese in “Galia.” In “Satisfactory Proof,” a budding mathematician completes a prestigious master’s degree in number theory but fails to recognize the patterns of care and compassion everywhere around him. And in the concluding novella, “Cold Snap,” as the town endures freezing temperatures and waits for the central heat to be turned on, the characters we have already met make a satisfying encore appearance—as the brittle cold pushes them to the edge of reason.

Another Love by Erzsébet Galgóczi
PH3241.G27 T6813 2007

A woman journalist who exposes the hypocrisy of the Soviet-dominated press is found murdered. With a plot that could have been ripped from today’s headlines, Another Love offers “a finely balanced blend of entertainment and political commentary” (Publishers Weekly).

A great novel of the 1956 Hungarian uprising against the Soviets, Another Love is a classic of Eastern European literature.

Lieutenant Marosi of the Hungarian border patrol has found the body of Eva Szalánczky, an old school friend whom he has secretly been in love with for many years. Eva was a lesbian, an outspoken critic of the communist regime, and a journalist whose stories were too hot to publish in the dangerous 1950s. Determined to find out the truth about her death, Marosi requests leave and heads for Budapest.

As Marosi pieces together Eva’s life, Another Love becomes more than a mystery about one woman, but a courageous, compassionate attempt to understand the political mystery of post-War Eastern Europe.

Hotel Iris by Yoko Ogawa; translated by Stephen Snyder.
PL858.G37 H6813 2010

A tale of twisted love, from the author of The Diving Pool and The Housekeeper and the Professor . . .

In a crumbling seaside hotel on the coast of Japan, quiet seventeen-year-old Mari works the front desk as her mother tends to the off-season customers. When one night they are forced to expel a middle-aged man and a prostitute from their room, Mari finds herself drawn to the man’s voice, in what will become the first gesture of a single long seduction. In spite of her provincial surroundings, and her cool but controlling mother, Mari is a sophisticated observer of human desire, and she sees in this man something she has long been looking for.

The man is a proud if threadbare translator living on an island off the coast. A widower, there are whispers around town that he may have murdered his wife. Mari begins to visit him on his island, and he soon initiates her into a dark realm of both pain and pleasure, a place in which she finds herself more at ease even than the translator. As Mari’s mother begins to close in on the affair, Mari’s sense of what is suitable and what is desirable are recklessly engaged.

Hotel Iris is a stirring novel about the sometimes violent ways in which we express intimacy and about the untranslatable essence of love.

Western: A Novel by Christine Montalbetti; translated by Betsy Wing.
PQ2713.O576 W4713 2009

A pioneering French woman turns her eye toward the most classically male American genre. Setting out to tell the story of a mysterious cowboy—a stranger in town with a terrible secret—Christine Montalbetti is continually sidetracked by the details that occur to her along the way, her CinemaScope camera focusing not on the gunslinger’s grim and determined eyes, but on the insects crawling in the dust by his boots. A collection of the moments usually discarded in order to tell even the simplest and most familiar story, Western presents us with the world behind the clichés, where the much-anticipated violence of the plot is continually, maddeningly delayed, and no moment is too insignificant not to be valued. Montalbetti’s daring theft of movie technique and subversion of a genre where women are usually relegated to secondary roles—victims, prostitutes, widows, schoolmarms—makes Western a remarkable wake for the most basic of American mythologies.